從達文西無數筆記草稿尋找路徑,如同解剖學般,發現馬戲和合唱中都具有的表演特質,拆解劇場中語言、聲音、動作和空間等元素,再重新組合結構;同時,融合表演者的生命經驗,挖掘每個人的內在宇宙,以提問的方向,和達文西的藝術作品、科技發明、建築設計產生對話,發展出如詩般的表演文本。 演出海報以劇照為主,搭配達文西著名的Vitruvian Man畫作,以手抄、草稿等隨意的筆記意象,加上代表馬戲團獨具一格的肢體演出,將畫面拆解拼湊,探問更多的可能性。節目冊則延伸筆記概念,以散裝的報紙刊物規格為載體,穿插疊加、拼湊、看似亂數的畫面建構,再以金屬長尾夾有序的組裝,理性與感性交錯,挖掘劇場中如詩的可能性。

Searching through countless notes and sketches by Leonardo da Vinci, the performance piece dissects the performance qualities shared by circus and choir, much like an anatomy lesson. Elements such as language, sound, movement, and space in theater are dismantled and reassembled to create a poetic performance text. By incorporating the life experiences of the performers and exploring their inner universes through questioning, a dialogue is created with da Vinci's artistic works, technological inventions, and architectural designs. The performance poster features stills from the show and is accompanied by da Vinci's famous Vitruvian Man, with hand-written notes and sketches that represent the unique physical performance of the circus. The images are disassembled and reassembled to explore new possibilities. The program extends the concept of notes by using an unbound newspaper format, with interlaced and overlapping images constructed seemingly at random. The rational and the emotional intersect, excavating the poetic potential of theater.
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